Beaverbrook Vimy Prize
The Vimy Foundation’s premiere educational program, the Beaverbrook Vimy Prize, is a prestigious two-week-long learning experience during which exceptional youth, 15-17 years of age, study the interwoven First and Second World War history of Canada, Great Britain, and France.
Scheduled for August 9-23, 2018 in England, Belgium, and France, students will attend lectures at Oxford University, visit former battlefields, trenches and underground tunnels, as well as visit museums and cemeteries, tour the new Vimy Visitor Education Centre and explore monuments such as the Canadian National Vimy Memorial. Canadian, British, and French prize recipients will also participate in commemorative ceremonies and meet a few of the remaining veterans and members of the French Resistance.
The submission deadline for the Beaverbrook Vimy Prize is March 4, 2018, at midnight (PST).
Applications for Canadian and British candidates are now closed.
CLICK HERE TO APPLY NOW!
Click here for full program rules and criteria
Alumni from the Beaverbrook Vimy Prize become ambassadors for the Vimy Foundation following their participation in the program, and continue working to share their new knowledge and perspective of the First and Second World Wars with their peers, schools, and communities. Their continued participation in Vimy Foundation activities is a great asset to the future of our organization.
Since the program was established in 2006, over 180 students have been awarded this prize and have travelled to Europe with the Vimy Foundation. Some of these high school students have gone on to speak at their school’s Remembrance Day ceremonies, address guests at Vimy Foundation events, and study history in university programs across the country.
The Beaverbrook Vimy Prize is supported by the Beaverbrook Canadian Foundation, and builds upon the legacy of Lord Beaverbrook, (1879-1964), a prominent Canadian historical figure known for his creativity, ambition, leadership and vibrant energy. Born in Canada of modest background, Max Aitken rose as a successful entrepreneur, both in Canada and the United Kingdom where he became an influential newspaper publisher, important Government minister and friend and close colleague of Winston Churchill during the Second World War.
For more information contact:
Programs Manager, Vimy Foundation
Beaverbrook Canadian Foundation
The Beaverbrook Canadian Foundation is located in Montreal, Quebec, and supports selected organizations, predominantly in Eastern Canada, in the areas of education and arts and culture. In 2012 Max Aitken was appointed Chairman and President of the Board of the Beaverbrook Canadian Foundation, in addition to being a trustee of the Beaverbrook Foundation and the Beaverbrook Art Gallery.
Lord Beaverbrook was a giant of the British 20th Century political scene. He owned the Daily Express newspaper group and sat on the War Cabinet in both World Wars. The Beaverbrook Foundation supports a variety of causes in the United Kingdom and Canada, including preserving heritage buildings and supporting charitable appeals.
Lord Beaverbrook also established the Canadian War Memorials Fund in 1916 to commission official war artists to paint the Canadian war effort. The official war art programme would eventually employ close to 120 artists, most of them British or Canadian, who created nearly 1,000 works of art. A number of painters were Canadian, including future Group of Seven members A.Y. Jackson, Frederick Varley, and Arthur Lismer. While most of the works depicted the fighting forces and geography overseas, important artists like Mable May and Manly MacDonald painted women in factories and fields in Canada.
The war art had a tumultuous fate: Beaverbrook had hoped that it would be housed in a new national war museum, but successive governments refused to commit funds. The art languished in the basements and vaults of the National Art Gallery, rarely seen by Canadians. Fortunately, in the early 1970s most of the art was transferred to the Canadian War Museum and more recently hundreds of pieces have been restored, displayed in permanent and travelling exhibitions, or loaned to institutions across Canada.
Learn more about Canada’s War Art by clicking here.
The Beaverbrook Canadian Foundation is the generous benefactor of the Vimy Foundation’s flagship student program, the Beaverbrook Vimy Prize, which offers prestigious summer scholarships to youth 15-17 years of age to study the interwoven history of Canada, France and Great Britain during the First and Second World Wars.
Why do you think that Vimy Ridge became a symbol of Canada's"coming of age as a nation"?A “coming of age” is when someone comes into their own, they are seen as responsible,mature, and worthy enough to be in charge of their own affairs. A “coming of age” for most people around the world is generally 18, this is when they are old enough to drink, drive, own properties, and pay taxes. After a “coming of age,” the youth is now seen as an adult by society and is treated as such. Usually the topic “coming of age” refers to the transition of a youth to an adult but the same idea can be used to address the transition of a dominion or colony,a youth, into a sovereign state, an adult. For Canada, the “coming of age” is often linked with Canadian success at capturing Vimy Ridge during the First World War. The success of the Canadian corps at the Vimy Ridge is seen as the “coming of age” for the nation because it garnered international recognition,the battle was fought entirely by Canadians, and the Canadian troops succeeded where others had failed. Vimy Ridge was an important defence for the Germans. The ridge had an unbeatable view of the entire region.The capture of Vimy Ridge was the first decisive move in a 3-year stalemate. Although the capture was a minor success, considering the loss of thousands of lives